{"id":5148,"date":"2023-09-02T13:05:13","date_gmt":"2023-09-02T12:05:13","guid":{"rendered":"https:\/\/omnivion.net\/core\/?page_id=5148"},"modified":"2023-09-02T13:17:06","modified_gmt":"2023-09-02T12:17:06","slug":"le-temps-des-crocodiles","status":"publish","type":"page","link":"https:\/\/omnivion.net\/core\/fr\/le-temps-des-crocodiles\/","title":{"rendered":"Le Temps des Crocodiles"},"content":{"rendered":"

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Titre : <\/strong>Le Temps des crocodiles, \u00e9l\u00e9gie<\/em><\/p>\n

Date de fin<\/strong>\u00a0: octobre 2019<\/p>\n

R\u00e9sum\u00e9 court :<\/strong>
\n\u00ab\u00a0Il faut faire payer les grecs\u00a0\u00bb\u00a0: c\u2019est de cette violente assignation prononc\u00e9e \u00e0 l\u2019unisson dans l\u2019Union Europ\u00e9enne des ann\u00e9es 2012-2014 qu\u2019est n\u00e9e l\u2019id\u00e9e du film, d\u2019un film de d\u00e9ploration. Le Temps des crocodiles est une \u00e9l\u00e9gie, dans le sens grec du terme\u00a0: un r\u00e9cit de lamentation qui, de loin, dans l\u2019exil, \u00e9voque la d\u00e9faite du peuple grec face \u00e0 un ch\u00e2timent aussi implacable qu\u2019injuste.<\/p>\n

Format : DCP<\/strong><\/p>\n

Couleur et Noir et blanc<\/strong><\/p>\n

Production\u00a0:<\/strong> L\u2019image d\u2019apr\u00e8s
\n4 place des Petites Boucheries 37000 Tours
\nN\u00b0 Siret : 50221451300041- Code APE : 5911C
\nT\u00e9l. Maud\u00a0: 06 40 23 43 30
\nmaudmartin@limagedapres.fr<\/a><\/p>\n

Lien film sur Vimeo :<\/strong>
\nvimeo.com\/253783367
\nmdp\u00a0: croco<\/p>\n

 <\/p>\n

Bio Florence Doucet :<\/strong>
\nJe suis n\u00e9e en 1970 et vis \u00e0 Tours depuis une vingtaine d’ann\u00e9es. Apr\u00e8s un doctorat de Lettres sur les jardins dans la litt\u00e9rature classique, j’enseigne la litt\u00e9rature et le cin\u00e9ma.
\nJe r\u00e9alise des films qui proposent une r\u00e9flexion, une m\u00e9ditation sur les lieux.<\/p>\n

 <\/p>\n

Filmo Florence Doucet :<\/strong>
\n2011 \u2013 2018
\nFantaisies saisonni\u00e8res. Tr\u00e8s courts m\u00e9trages en forme de po\u00e8mes filmiques.
\n\u00ab Chasse ou la cavali\u00e8re bleue \u2013 octobre \u00bb ; \u00ab En lavoir ou pas \u2013 novembre \u00bb ; \u00ab Little big Hole \u2013 janvier \u00bb ; \u00ab Le Havre de Gr\u00e2ce \u2013 f\u00e9vrier \u00bb ; \u00ab Oceanus infans \u2013 d\u00e9cembre \u00bb ; \u00ab Bateau ivre \u2013 ao\u00fbt \u00bb ; \u00ab De Divinatione \u2013 mars \u00bb\u2026<\/p>\n

2010
\nNarcisse, fragments, avec C\u00e9cilia Ribault et Dimitri Tsiapkinis, danseurs. Essai chor\u00e9graphique et po\u00e9tique, tourn\u00e9 dans une piscine de plein air d\u00e9saffect\u00e9e.<\/p>\n

I prefer not to, avec H\u00e9l\u00e9na Fin, plasticienne. Court m\u00e9trage r\u00e9alis\u00e9 dans le cadre du Festival \u00ab Filmer le travail \u00bb de l\u2019Universit\u00e9 de Poitiers. Premier Prix.<\/p>\n

2005-2012
\nCinq films, une s\u00e9rie : \u00ab La Dame en vert \u00bb, avec Annie Achermann (chor\u00e9graphe, Compagnie Travers\u00e9e Dix).
\nBog Queen, Irlande du sud
\nThe Green Lady, Springfield, Vermont
\nEsperando a Lino, Barcelone
\nPour que les corbeaux et les corneilles s\u2019en repaissent, Bruxelles
\nBerlin in memoriam, Berlin.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

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