{"id":1417,"date":"2015-10-31T23:06:34","date_gmt":"2015-10-31T22:06:34","guid":{"rendered":"http:\/\/www.omnivion.net\/core\/?page_id=1417"},"modified":"2024-02-07T00:26:35","modified_gmt":"2024-02-06T23:26:35","slug":"newtopia-4-2","status":"publish","type":"page","link":"https:\/\/omnivion.net\/core\/fr\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/","title":{"rendered":"Newtopia 4.2"},"content":{"rendered":"<p><a href=\"http:\/\/omnivion.net\/core\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/temps_de_the_chinese-tea-ceremony_david-bote-estrada_cc-by-sa-2-0_edit_web\/\" rel=\"attachment wp-att-1879\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1879\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0_edit_web.jpg?resize=800%2C435\" alt=\"Chinese-Tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA-2.0_edit\" width=\"800\" height=\"435\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0_edit_web.jpg?resize=300%2C163&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0_edit_web.jpg?resize=768%2C418&amp;ssl=1 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><br \/>\nChinese-Tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA-2.0_edit<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>NEWTOPIA 4.2 \/ LA PERLE<\/strong><\/h2>\n<p><strong>Danse contemporaine \/ art contemporain<br \/>\n<\/strong><\/p>\n<p><em>\u00a0\u00ab\u00a0La perle se construit dans la dur\u00e9e dans le noir, dans la lenteur\u2026<\/em><em>Quelle lenteur face \u00e0 nos acc\u00e9l\u00e9rations contemporaines ? \u00bb <\/em><\/p>\n<p style=\"padding-left: 330px;\"><em>Dimitri Tsiapkinis<\/em><\/p>\n<p><strong>Omnivion en co-production avec la Chapelle Sainte Anne <\/strong><strong>pr\u00e9sentent<\/strong> le deuxi\u00e8me volet de\u00a0<a href=\"http:\/\/omnivion.net\/core\/projets\/projets-artistiques\/newtopia-4\/\"><strong>Newtopia 4<\/strong><\/a><strong><u>,<\/u><\/strong> ax\u00e9 sur les arts du sensible, sur les arts introspectifs. Inviter et inventer des formes artistiques centr\u00e9es sur le corps et ses temporalit\u00e9s. Un \u00e9v\u00e9nement danse et sant\u00e9 mentale, dirig\u00e9 par Dimitri Tsiapkinis qui c\u00e9l\u00e8bre la lenteur et le silence, <strong>\u00e0 la Chapelle Sainte Anne, les 2-4\u00a0d\u00e9cembre 2016. <\/strong><strong>Ouverture de l\u2019exposition le 2 d\u00e9c. \u00e0 14H\u00a0et vernissage \u00e0 18H.<\/strong><\/p>\n<p><strong>&gt;&gt;&gt;Dossier de presse complet ici\u00a0 : <a href=\"http:\/\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/NEWTOPIA-4.2_Dossier_de_presse_complet.pdf\">Newtopia 4.2 Presse<\/a><\/strong><\/p>\n<p><strong>PROGRAMMATION :<\/strong><\/p>\n<ul>\n<li><strong>Exposition-happenings le<\/strong> <strong>2, 3 et 4 d\u00e9c.<\/strong> : Expositions, c\u00e9r\u00e9monie du th\u00e9, Tai chi po\u00e9tique, happenings et pratiques somatiques. Entr\u00e9e libre.<br \/>\nHoraires\u00a0: 14H-20H le 2 d\u00e9c. et 11H-20H les 3 &amp; 4 d\u00e9c.<\/li>\n<li><strong>Performances\u00a0le 2 et 3 d\u00e9c. de 20H 0 21H30 : <\/strong>Performances gestuelles, vocales, sensorielles, chor\u00e9graphiques. Entr\u00e9e 8\u20ac (libre pour minima sociaux) R\u00e9servation obligatoire, limit\u00e9 \u00e0 50 personnes par soir : <a href=\"http:\/\/www.omnivion.net\/core\/reservations\/\">omnivion.net\/core\/reservations\/<\/a><\/li>\n<li><strong>Discussion le 4 d\u00e9c. de 14H 0 15H30 :<\/strong> discussion psychanalyse et danse. Entr\u00e9e libre. R\u00e9servation obligatoire ; limit\u00e9 \u00e0 50 personnes\u00a0: <a href=\"http:\/\/www.omnivion.net\/core\/reservations\/\">omnivion.net\/core\/reservations\/<\/a><a href=\"http:\/\/www.omnivion.net\/core\/reservations\/\"><br \/>\n<\/a><\/li>\n<\/ul>\n<h2><\/h2>\n<h2><strong><u>EXPOSITIONS ET HAPPENINGS\u00a0\/ 2, 3 et 4 d\u00e9c. :\u00a0<\/u><\/strong><\/h2>\n<p>&nbsp;<\/p>\n<h2><strong>A FLEUR DE PEAU (2003)<\/strong><\/h2>\n<p><strong>Installation audio-tactile par Lynn Pook \/<br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/omnivion.net\/core\/minolta-digital-camera\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-1887\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web.jpg?resize=600%2C302\" alt=\"A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web\" width=\"600\" height=\"302\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web.jpg?resize=300%2C151&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web.jpg?resize=768%2C387&amp;ssl=1 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Deux cabines en tissus clair, le toucher comme une forme esth\u00e9tique. Une exp\u00e9rience d\u00e9routante, m\u00ealant le sonore et le tactile. Dur\u00e9e : 20 min (comprenant l\u2019\u00e9quipement et le passage de 2 personnes)<strong> \/ <a href=\"http:\/\/www.lynnpook.net\">www.lynnpook.net<\/a><\/strong><\/p>\n<p>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/p>\n<h2><strong><br \/>\nD\u00c9TECTEUR D\u2019ANGES (1992)<\/strong><\/h2>\n<p><strong>Sculpture de lumi\u00e8re interactive par Jakob Gautel &amp; Jason Kara\u00efndros<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-1888\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/De%CC%81tecteur-3_edit_web.jpg?resize=601%2C403\" alt=\"De\u0301tecteur-3_edit_web\" width=\"601\" height=\"403\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/De%CC%81tecteur-3_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/De%CC%81tecteur-3_edit_web.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/De%CC%81tecteur-3_edit_web.jpg?resize=768%2C515&amp;ssl=1 768w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/p>\n<p>Interactivit\u00e9, Son, Sculpture, Collaborations, Ombre et lumi\u00e8re, \u00e9lectronique Walter Goettmann.<br \/>\nPlus d&rsquo;info sur l\u2019\u0153uvre :<strong> <a href=\"http:\/\/www.ednm.fr\/leurslumieres\/?page_id=65\" target=\"_blank\" rel=\"noopener\">ednm.fr\/d\u00e9tecteur<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/www.gautel.net\">www.gautel.net<\/a> \/ <a href=\"http:\/\/www.jasonkaraindros.net\">www.jasonkaraindros.net<\/a><\/strong><\/p>\n<p>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong><br \/>\nCONSTELLATION (1995)<\/strong><\/h2>\n<p><strong>Installation, Ombre et lumi\u00e8re, Temps<\/strong>\u00a0<strong>par\u00a0Jason Kara\u00efndros<\/strong><\/p>\n<p><a href=\"http:\/\/omnivion.net\/core\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/la-constelation-b-1_edit_web\/\" rel=\"attachment wp-att-1882\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-1882\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/La-constelation-B.1_edit_web.jpg?resize=600%2C287\" alt=\"La-constelation-B.1_edit_web\" width=\"600\" height=\"287\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/La-constelation-B.1_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/La-constelation-B.1_edit_web.jpg?resize=300%2C143&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/La-constelation-B.1_edit_web.jpg?resize=768%2C367&amp;ssl=1 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Des lampes de poche pos\u00e9es par terre et dirig\u00e9es vers les murs, le sol et le plafond. Les faisceaux lumineux produisent sur les surfaces des auras de diam\u00e8tre et d\u2019intensit\u00e9 diff\u00e9rentes qui palpitent au fur et \u00e0 mesure que les batteries se vident et s\u2019\u00e9teignent \u00e0 la fin. [\u2026] un vrai gaspillage d\u2019\u00e9nergie. \/ Plus d&rsquo;info sur l\u2019\u0153uvre et l&rsquo;artiste : <strong><a href=\"http:\/\/jasonkaraindros.net\/fr\/travaux\/constellation.html\" target=\"_blank\" rel=\"noopener\">jasonkaraindros.net\/constellation<\/a><\/strong><br \/>\n<strong><br \/>\n&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>EMPREINTE DE NOTRE RENCONTRE (1992)\u00a0<\/strong><\/h2>\n<p><strong>Fauteuil, table, \u00e9lectrocardiographe, \u00e9lectrocardiogrammes \/ Dimensions variables.<\/strong><\/p>\n<p><a href=\"http:\/\/omnivion.net\/core\/empreinte-1-1992_edit_web\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-1891\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/empreinte-1-1992_edit_web-.jpg?resize=600%2C327\" alt=\"empreinte-1-1992_edit_web\" width=\"600\" height=\"327\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/empreinte-1-1992_edit_web-.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/empreinte-1-1992_edit_web-.jpg?resize=300%2C164&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/empreinte-1-1992_edit_web-.jpg?resize=768%2C419&amp;ssl=1 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Le visiteurs est invit\u00e9 \u00e0 rencontrer l\u2019artiste \u00e0 travers une superposition d\u2019\u00e9lectrocardiogrammes. Une partie de la rencontre de ces deux lignes lui est offerte, les autres s\u2019alignent le long du mur, rencontre apr\u00e8s rencontre.<\/p>\n<p>Plus d&rsquo;info sur l\u2019\u0153uvre et l&rsquo;artiste : <strong><a href=\"http:\/\/jasonkaraindros.net\/fr\/travaux\/empreinte-de-notre-rencontre.html\" target=\"_blank\" rel=\"noopener\">jasonkaraindros.net\/empreinte-de-notre-rencontre<\/a><\/strong><\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>SOMA SENSIBILIS (2016)<br \/>\n<\/strong><\/h2>\n<p><strong>Pratiques somatiques occidentales<\/strong><\/p>\n<p><strong> <a href=\"http:\/\/omnivion.net\/core\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/20151011_130730-01_web\/\" rel=\"attachment wp-att-1959\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1959\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/20151011_130730-01_web.jpeg?resize=601%2C338\" alt=\"20151011_130730-01_web\" width=\"601\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/20151011_130730-01_web.jpeg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/20151011_130730-01_web.jpeg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/20151011_130730-01_web.jpeg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><\/strong><\/p>\n<p><strong>Pratiques somatiques occidentales, ouvertes au public de l\u2019expo <\/strong>qui promeuvent l\u2019introspection et la lenteur\u00a0: <strong>Body Mind Centering<\/strong> (Marie\u00a0Foulatier, C\u00e9cilia Ribault), <strong>Feldenkrais<\/strong> (Maguelonne Dumoulin, Elisabeth Mercier Rafin), <strong>P\u00e9dagogie Perceptive<\/strong> (Christine Merlin, Laetitia Bourgoin) <strong>\/ <\/strong>travail individuel en restant habill\u00e9<strong>; <\/strong>s\u00e9ances gratuites sur inscription : <a href=\"http:\/\/www.omnivion.net\/core\/reservations\/\">omnivion.net\/core\/reservations\/<\/a><\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/strong><\/p>\n<h2><strong><br \/>\nL\u2019HOMME MASQUE (2016)<\/strong><\/h2>\n<p><strong>Performances martiales et danses lentes pendant l\u2019exposition<\/strong><\/p>\n<p><a href=\"http:\/\/omnivion.net\/core\/httpscommons-wikimedia-orgwikifiledonald_single_whip_silloutte-jpg\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-1881\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/L%E2%80%99HOMME-MASQUE_CC-BY-SA-3.0_edit-1024x484.jpg?resize=601%2C284\" alt=\"Donald_Single_Whip_Silloutte\" width=\"601\" height=\"284\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/L%E2%80%99HOMME-MASQUE_CC-BY-SA-3.0_edit.jpg?resize=1024%2C484&amp;ssl=1 1024w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/L%E2%80%99HOMME-MASQUE_CC-BY-SA-3.0_edit.jpg?resize=300%2C142&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/L%E2%80%99HOMME-MASQUE_CC-BY-SA-3.0_edit.jpg?resize=768%2C363&amp;ssl=1 768w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/L%E2%80%99HOMME-MASQUE_CC-BY-SA-3.0_edit.jpg?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><\/p>\n<p>Pratique du Tai Chi Chen, danses lentes et masques par une \u00e9quipe de France Shaolin et l\u2019\u00e9quipe d\u2019Omnivion.<\/p>\n<p>Un recontextualisation chor\u00e9graphique d\u2019arts martiaux et des danses populaires par des petits groupes qui apparaissent masqu\u00e9s, al\u00e9atoirement pendant les horaires de l\u2019exposition. \/ <a href=\"http:\/\/www.franceshaolin.fr\/\">www.franceshaolin.fr<\/a><\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;\u00a0<\/strong><\/p>\n<h2><strong><br \/>\nTEMPS DE THE (2016)<\/strong><\/h2>\n<p><strong>C\u00e9r\u00e9monie chinoise de th\u00e9 pendant l\u2019exposition<br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/omnivion.net\/core\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/temps_de_the_chinese-tea-ceremony_david-bote-estrada_cc-by-sa-2-0\/\" rel=\"attachment wp-att-1925\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-1925\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0-1024x631.jpg?resize=601%2C370\" alt=\"TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA\" width=\"601\" height=\"370\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0.jpg?resize=1024%2C631&amp;ssl=1 1024w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0.jpg?resize=300%2C185&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0.jpg?resize=768%2C473&amp;ssl=1 768w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0.jpg?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><\/p>\n<p>TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA<\/p>\n<p>Infusions m\u00e9ditatives, par Xueqin BONNEAU de l\u2019Institut Chinois de Touraine. Une r\u00e9ciprocit\u00e9 silencieuse autour d\u2019un pratique traditionnelle re-contextualis\u00e9e. Les visiteurs de l\u2019exposition pourraient \u00e9ventuellement profiter d\u2019un th\u00e9 avec les h\u00f4tes.<\/p>\n<p><strong><a href=\"http:\/\/www.ichinoisdetouraine.com\/\">www.ichinoisdetouraine.com<\/a><\/strong><br \/>\n<strong><br \/>\n&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>SILENCE N\u2019EST PAS L\u2019ABSENCE DE SON<\/strong><\/p>\n<p><strong>Lieu d\u2019\u00e9coute sensible\u00a0: \u00e9couter des enregistrements des derniers endroits du globe sans pollution sonore.<\/strong><\/p>\n<p>Gordon Hempton estime que seule une cinquantaine d\u2019endroits est \u00e0 l\u2019abri du tapage li\u00e9 \u00e0 l\u2019activit\u00e9 humaine. <em>\u00ab\u00a0Auparavant<\/em>, regrette-t-il,\u00a0<em>nous pouvions parfois avoir plusieurs heures de silence cons\u00e9cutives. Maintenant, c\u2019est \u00e0 peine plus de vingt minutes.\u00a0\u00bb (Le Monde, 2016) \/ <\/em><a href=\"https:\/\/quietplanet.com\/\"><strong>quietplanet.com\/<\/strong><\/a><\/p>\n<h2><strong><u><br \/>\n<span style=\"color: #800000;\">PERFORMANCES\u00a0DU 2 &amp; 3 DECEMBRE \u00e0 20H :\u00a0<\/span><\/u><\/strong><\/h2>\n<p><strong>Entr\u00e9e 8\u20ac (libre pour minima sociaux) R\u00e9servation obligatoire, limit\u00e9 \u00e0 50 personnes par soir : <a href=\"http:\/\/www.omnivion.net\/core\/reservations\/\">net\/core\/reservations\/<\/a><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>SILENCE DES BOUCS\u00a0(2016)<\/strong><\/h2>\n<p><strong>Performance posturale et vocale &lt; 20 min<br \/>\n<\/strong><\/p>\n<div id=\"attachment_1886\" style=\"width: 611px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/omnivion.net\/core\/2016-03-12_atelier_omnivion_arpents_dart_31c_edit_web\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1886\" class=\" wp-image-1886\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/2016-03-12_Atelier_Omnivion_Arpents_dart_31c_edit_web.jpg?resize=601%2C339\" alt=\"Atelier_Omnivion_Arpents_dart_31c_edit_web\" width=\"601\" height=\"339\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/2016-03-12_Atelier_Omnivion_Arpents_dart_31c_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/2016-03-12_Atelier_Omnivion_Arpents_dart_31c_edit_web.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/2016-03-12_Atelier_Omnivion_Arpents_dart_31c_edit_web.jpg?resize=768%2C433&amp;ssl=1 768w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><p id=\"caption-attachment-1886\" class=\"wp-caption-text\">Atelier_Omnivion_Arpents_dart_31c_edit_web<\/p><\/div>\n<p>Dimitri Tsiapkinis en\u00a0collaboration avec Roland Lebret et Claire Guillaume.<\/p>\n<p>Dans le texte \u2018\u2018\u2026juste avant demain\u2019\u2019 Roland Lebret nous parle d\u2019un autre silence qui envahit nos mondes, silence <em>entropique<\/em> g\u00e9n\u00e9r\u00e9 par la violence de l\u2019Homme, aveugle et autodestructrice. Avec quels gestes r\u00e9pondre \u00e0 cet appel, \u00e0 ce cri\u00a0?<\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>SIRENES (2016)<\/strong><\/h2>\n<p><strong>Performance posturale et chant &lt; 15 min<br \/>\n<\/strong><\/p>\n<div id=\"attachment_1883\" style=\"width: 611px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/omnivion.net\/core\/sirenes__photo_by_bernard_duret_edit_web\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1883\" class=\" wp-image-1883\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/SIRENES__Photo_by_Bernard_Duret_edit_web.jpg?resize=601%2C287\" alt=\"sirenes__photo_by_bernard_duret_edit_web\" width=\"601\" height=\"287\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/SIRENES__Photo_by_Bernard_Duret_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/SIRENES__Photo_by_Bernard_Duret_edit_web.jpg?resize=300%2C143&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/SIRENES__Photo_by_Bernard_Duret_edit_web.jpg?resize=768%2C367&amp;ssl=1 768w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><p id=\"caption-attachment-1883\" class=\"wp-caption-text\">sirenes__photo_by_bernard_duret_edit_web<\/p><\/div>\n<p>Un duo avec Magali Dijoux et Carl Loiseau. Chants sensibles et danses d\u2019\u00e9coute.<\/p>\n<p>Quel chant et quel geste pour faire appel \u00e0 un d\u00e9sir de silence\u00a0? On ne parle pas d\u2019une absence de son, mais d\u2019une absence de bruit\u00a0; un silence qui nous permet d\u2019entendre la vie qui coule dans notre chair<strong>.<br \/>\n<\/strong><br \/>\n<strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>GORGES FLEURIES\u00a0(2016)<\/strong><\/h2>\n<p><strong>Performances\u00a0gestuelles et\u00a0respiratoires &lt; 20 min<br \/>\n<\/strong><\/p>\n<div id=\"attachment_1892\" style=\"width: 611px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/omnivion.net\/core\/p1090025b2\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1892\" class=\" wp-image-1892\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2-1024x609.jpg?resize=601%2C358\" alt=\"Atelier_danse_Omnivion_Photo_by_D.Tsiapkinis\" width=\"601\" height=\"358\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2.jpg?resize=1024%2C609&amp;ssl=1 1024w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2.jpg?resize=300%2C179&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2.jpg?resize=768%2C457&amp;ssl=1 768w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2.jpg?w=3000&amp;ssl=1 3000w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><p id=\"caption-attachment-1892\" class=\"wp-caption-text\">Atelier_danse_Omnivion_Photo_by_D.Tsiapkinis<\/p><\/div>\n<p>Magali Dijoux, Claire Guillaume, Bruno Morin et Rosa Pires de Matos proposent des \u00e9tudes sensorielles avec le texte \u00ab\u00a0Mbo\u00a0\u00bb de G\u00e9rard Haller.<\/p>\n<p>Un voyage auditif, chor\u00e9graphique et imaginaire sur une transe linguistique, celle de Mbo, \u00e9crit par G\u00e9rard Haller. Un concentr\u00e9e d\u2019humanit\u00e9 dans ce texte qui intrigue notre respiration, notre ou\u00efe, nos gestes.<\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;\u00a0<\/strong><\/p>\n<h2><strong><br \/>\nSANS TITRE (2016)<\/strong><\/h2>\n<p><strong>Performance\u00a0danse et violoncelle &lt; 20 min<br \/>\n<\/strong><\/p>\n<div id=\"attachment_1884\" style=\"width: 611px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/omnivion.net\/core\/soizic_lebrat_photo_by_david_brown_245_edit_web\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1884\" class=\" wp-image-1884\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web-1024x561.jpg?resize=601%2C329\" alt=\"Soizic_Lebrat_photo_by_David_Brown_245_edit_web\" width=\"601\" height=\"329\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web.jpg?resize=1024%2C561&amp;ssl=1 1024w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web.jpg?resize=300%2C164&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web.jpg?resize=768%2C421&amp;ssl=1 768w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web.jpg?w=3000&amp;ssl=1 3000w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><p id=\"caption-attachment-1884\" class=\"wp-caption-text\">Soizic_Lebrat_photo_by_David_Brown_245_edit_web<\/p><\/div>\n<p><strong>\u00a0<\/strong>Performance\u00a0danse et violoncelle, sur la th\u00e9matique de \u00ab\u00a0lenteur-silence\u00a0\u00bb\u00a0Dimitri Tsiapkinis rencontre So\u00efzic Lebrat dans une improvisation libre.<\/p>\n<p>Revenir aux essentiels\u00a0: s\u2019\u00e9couter soi-m\u00eame, \u00e9couter l\u2019autre et \u00e9changer. Improviser \u00e0 partir de ce que l\u2019on est\u00a0; pas de sc\u00e9nario juste la pr\u00e9sence des artistes en situation de r\u00e9ciprocit\u00e9 sensible.<\/p>\n<p><strong><a href=\"http:\/\/www.soiziclebrat.eu\/\">www.soiziclebrat.eu<\/a><\/strong><\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2><strong><u><span style=\"color: #800000;\">DISCUSSION DU 4 DECEMBRE \u00e0 14H :\u00a0<\/span><\/u><\/strong><\/h2>\n<h2><strong><br \/>\nLA DANSE ET LE REGARD (2016)<\/strong><\/h2>\n<p><strong>Psychanalyse\u00a0et danse &lt; 90 min<br \/>\n<\/strong><\/p>\n<div id=\"attachment_1890\" style=\"width: 611px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/omnivion.net\/core\/discussion_le_regard_et_la_danse_livre_de_durer_edit_web\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1890\" class=\" wp-image-1890\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/DISCUSSION_LE_Regard_et_la_Danse_livre_de_D%C3%BCrer_edit_web.jpg?resize=601%2C291\" alt=\"le_regard_et_la_danse_livre_de_durer_edit_web\" width=\"601\" height=\"291\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/DISCUSSION_LE_Regard_et_la_Danse_livre_de_D%C3%BCrer_edit_web.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/DISCUSSION_LE_Regard_et_la_Danse_livre_de_D%C3%BCrer_edit_web.jpg?resize=300%2C145&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/DISCUSSION_LE_Regard_et_la_Danse_livre_de_D%C3%BCrer_edit_web.jpg?resize=768%2C372&amp;ssl=1 768w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/a><p id=\"caption-attachment-1890\" class=\"wp-caption-text\">le_regard_et_la_danse_livre_de_durer_edit_web<\/p><\/div>\n<p><strong><br \/>\n<\/strong><strong>Psychanalyse\u00a0et danse<\/strong> : Qu&rsquo;est-ce qu&rsquo;on voit quand on regarde de la danse ? Qu\u2019est-ce qu\u2019on donne \u00e0 voir lorsqu\u2019on danse\u00a0? Conversation avec Dimitri Tsiapkinis, danseur chor\u00e9graphe, et Ariane Oger, psychanalyste, anim\u00e9e par Isabelle Buillit, psychologue (Association Cause Freudienne).<\/p>\n<p>Entr\u00e9e libre. R\u00e9servation obligatoire ; limit\u00e9 \u00e0 50 personnes\u00a0: <a href=\"http:\/\/www.omnivion.net\/core\/reservations\/\">omnivion.net\/core\/reservations\/<\/a><\/p>\n<p><strong>&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;&lt;\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>NOS PARTENAIRES :<\/h3>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0 <a href=\"http:\/\/omnivion.net\/core\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/logos_all\/\" rel=\"attachment wp-att-1900\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1900\" src=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/Logos_all-1024x442.jpg?resize=800%2C345\" alt=\"logos_all\" width=\"800\" height=\"345\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/Logos_all.jpg?resize=1024%2C442&amp;ssl=1 1024w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/Logos_all.jpg?resize=300%2C129&amp;ssl=1 300w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/Logos_all.jpg?resize=768%2C331&amp;ssl=1 768w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/Logos_all.jpg?w=1337&amp;ssl=1 1337w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Chinese-Tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA-2.0_edit &nbsp; NEWTOPIA 4.2 \/ LA PERLE Danse contemporaine \/ art contemporain \u00a0\u00ab\u00a0La [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1603,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1417","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Newtopia 4.2 - omnivion.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/omnivion.net\/core\/fr\/projets\/projets-artistiques\/newtopia-4\/newtopia-4-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Newtopia 4.2 - omnivion.net\" \/>\n<meta property=\"og:description\" content=\"Chinese-Tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA-2.0_edit &nbsp; 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