{"id":282,"date":"2012-03-04T16:31:51","date_gmt":"2012-03-04T15:31:51","guid":{"rendered":"http:\/\/www.omnivion.net\/core\/?page_id=282"},"modified":"2016-03-10T22:43:54","modified_gmt":"2016-03-10T21:43:54","slug":"delirium-tremens-2010","status":"publish","type":"page","link":"https:\/\/omnivion.net\/core\/en\/projets\/projets-artistiques\/delirium-tremens-2010\/","title":{"rendered":"Delirium Tremens (2010)"},"content":{"rendered":"

 <\/p>\n

\"Photo<\/a>
Photo par : My Mhamed Saadi<\/figcaption><\/figure>\n

 <\/p>\n

Solo dance-theater\/performance<\/strong><\/em>
\nConception, performance : Dimitri Tsiapkinis<\/strong>
\nVideo creation : Maud Martin<\/strong>
\nCostumes : Rose-Marie Melka<\/strong>
\nLighting design : Jean-Philippe Filleul<\/strong>
\nProduction & Communication : Rixi Okladon, Art Minds, Omnivion<\/strong>
\nCo-Production : National Choreographic Center of Tours<\/strong>
\nSubsidy : Greek Ministry of Culture (2010)<\/strong><\/em><\/small><\/p>\n

Delirium Tremens<\/strong> seeks to evolve it’s protagonist’s view beyond a dualistic intellectual tradition and promote awareness through inclusion : Integrate and transcend rather than just polarise and resist. It promotes a non rationalist catharsis for its protagonist; through recycling of raw psychological states and intellectual schemes.<\/p>\n

Psychoanalysis, archetypal psychology, and gestalt therapy are major influences on the choreographic material. The concepts of individualism and narcissism are being explored through poetic gesture and speech. Humour is an important ingredient also. Finaly the paradigm of the sensitive, as stated by the researcher Danis Bois and his team, strongly influences the performance quality in the enactement of the scenario : self-actualising reciprocity, sensorial paroxysms, authenticity in expressivity.<\/p>\n

It’s a hybrid performance full of contradicting energies, ranging from violent physicality to extreme tenderness. The images on the TV monitors are the only elements of the stage design : a mix of scenes of intimacy and the omnipresent mass media. The final result, a deeply optimistic one-man-show, includes aesthetics from the danse-theater tradition, post modern danse and pop art.<\/p>\n

Dimitrios Tsiapkinis<\/strong> received a grant from the Greek ministry of Culture for the production of Delirium Tremens<\/strong>, with his newly established company The Lotus Fracture. (\u03a1\u0397\u039e\u0397 \u039f\u039a\u039b\u0391\u0394\u039f\u039d)<\/em><\/p>\n

Tour 2010-2012<\/strong> :
\n23 april 2010, National choreographic center of Tours, France<\/em>
\n4&5 june 2010, Sofouli theater in Thessaloniki, Greece<\/em>
\n9-12 june 2010, Roes theater in Athens, Greece<\/em>
\n28-30 december 2010, M.Teiresias theater in Thessaloniki, Greece<\/em>
\n20-21 january 2011, Olvio theater in Athens, Greece<\/em>
\n06 march 2012, at the French institut of Marrakech, Morocco<\/em><\/p>","protected":false},"excerpt":{"rendered":"

    Solo dance-theater\/performance Conception, performance : Dimitri Tsiapkinis Video creation : Maud Martin Costumes : Rose-Marie Melka Lighting design : Jean-Philippe Filleul Production & Communication : Rixi Okladon, Art Minds, Omnivion Co-Production : National Choreographic Center of Tours Subsidy : Greek Ministry of Culture (2010) Delirium Tremens seeks to evolve it’s protagonist’s view beyond […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":60,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-282","page","type-page","status-publish","hentry"],"yoast_head":"\nDelirium Tremens (2010) - omnivion.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/omnivion.net\/core\/projets\/projets-artistiques\/delirium-tremens-2010\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Delirium Tremens (2010) - 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