![\"Chinese-Tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA-2.0_edit\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0_edit_web.jpg?resize=800%2C435\")
<\/a><\/h1>\nChinese-Tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA-2.0_edit<\/p>\n
<\/h1>\nNewtopia\u00a04.2<\/h1>\n
Second\u00a0chapter of\u00a0Newtopia 4<\/a><\/strong> \u2026centered\u00a0on the sensitive body and relative stilness, slow motion\u2026 <\/p>\n <\/p>\n \u00c0 Fleur de Peau is an audio installation in which each member of the audience experiences both tactile and auditory sensations throughout their entire body.\u00a0The loudspeakers are positioned symmetrically throughout the body […]\u00a0A\u00a016-channel composition gives the impression that the sounds, and even the vibrations which they produce, are wandering around the body. The vibrations vary with the frequency of the sounds and the effects they produce can be either rhythmic or planar. […]\u00a0http:\/\/www.lynnpook.net<\/a><\/p>\n [The\u00a0installation “A Fleur de Peau” was\u00a0selected for\u00a0the International Media Art Award 2004 of\u00a0ZKM\/SWR (Germany)]<\/li>\n<\/ul>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<\/strong><\/p>\n <\/p>\n Interactivity, Sound, Sculpture, Collaborations, Light and Shadow by Jakob Gautel and Jason Kara\u00efndros<\/p>\n<\/div>\n \u201cLooking into the heart of light, the silence …\u201d – T. S. Eliot<\/p>\n \u201cUn ange passe\u201d – this French expression is taken from the idea that a lull in a conversation occurs when an angel passes by. Silence has become rare in present society, haunted as it is by horror vacui. Jakob Gautel and Jason Kara\u00efndros<\/p>\n www.gautel.net<\/a> \/ www.jasonkaraindros.net<\/a><\/p>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<\/strong><\/p>\n Installation, <\/strong>Light and Shadow, Time by Jason Kara\u00efndros About twenty different flashlights on the floor light parts of the floor, walls and ceiling. The light rays produce auras of differents diametres and intensities, palpitating as the batteries get lower, dimming and extinguishing finally as dying stars. Every day batteries have to be changed, a real waste of energy.<\/p>\n<\/div>\n Installation\u00a0: flashlights. Plus d’info sur l\u2019\u0153uvre et l’artiste : jasonkaraindros.net\/constellation<\/a><\/p>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<\/strong><\/p>\n <\/p>\n Portraits, Installation, Drawing, Time, Science, Performance, Lines \/ Variable d<\/strong>imensions. How to draw double portraits, or how to \u201dphotograph\u201d yourself with your friends.<\/p>\n For my personal show at the Beaux-Arts Gallery in Paris in 1992, I tried out for the first time this installation. An armchair where visitors are invited to have a seat, a table with an electrocardiograph which the Cochin Hospital lent me graciously, and an action that takes consecutively place, with the visitors\u2019 participation. More info : jasonkaraindros.net\/imprint-of-our-encounter<\/a><\/p>\n<\/div>\n<\/div>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< <\/strong><\/p>\n <\/p>\n Somatic education matters Free sessions after registration : net\/core\/reservations\/<\/a><\/strong><\/p>\n Promoting introspection and slow action : Body Mind Centering<\/strong> (Marie Foulatier,C\u00e9cilia Ribault), Feldenkrais<\/strong> (Marie-Claude Farel, Elisabeth Mercier Rafin), P\u00e9dagogie Perceptive<\/strong> (Christine Merlin, Laetitia Bourgoin).<\/p>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<\/strong><\/p>\n Martial arts p<\/strong>erformances and slow dances during\u00a0 the exposition<\/strong><\/p>\n Tai Chi (Chen style), slow dances & masks by France Shaolin and Omnivion members.<\/p>\n www.franceshaolin.fr<\/a><\/p>\n<\/div>\n Sensitive listening: listen to recordings of the last places of the globe without sound pollution.<\/span><\/span><\/p>\n<\/div>\n Chinese tea ceremony during the exposition<\/p>\n Meditative <\/span>Infusions<\/span><\/span>, by Xueqin Bonneau from the <\/span>Chinese <\/span> Institute of Tours. A silent<\/span> reciprocity around a <\/span>re-contextualized <\/span>traditional practice. Visitors of the exhibition<\/span> may possibly enjoy a tea with the hosts. <\/span><\/span><\/p>\n www.ichinoisdetouraine.com<\/a> <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< <\/strong><\/p>\n Entry fee 8\u20ac (free for <\/strong>social <\/strong>minima) \/ Reservation\u00a0necessary (50 persons only in a session) : net\/core\/reservations\/<\/a><\/strong><\/p>\n <\/p>\n Postural<\/strong> and vocal performance\u00a0<\/strong><\/p>\n Dimitri Tsiapkinis in a collaboration with Roland Lebret and Claire Guillaume.<\/p>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<\/strong><\/p>\n <\/p>\n Postural and vocal performance<\/p>\n A duet withMagali Dijoux and Carl Loiseau. Sensitive singing and dance. <\/p>\n Gestural and <\/strong>respiratory p<\/strong>erformances Magali Dijoux, Claire Guillaume, Bruno Morin and Rosa Pires de Matos propose sensorial studies with the poem \u00ab Mbo \u00bb by G\u00e9rard Haller.<\/p>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< <\/strong><\/p>\n Dance and cello p<\/strong>erformance An improvisation on slow action and silence by Dimitri Tsiapkinis and So\u00efzic Lebrat.<\/p>\n www.soiziclebrat.eu<\/a><\/p>\n <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<\/strong><\/p>\n <\/p>\n Psychoanalysis and dance<\/strong><\/p>\n Reservation\u00a0necessary (limited to 50 persons) : net\/core\/reservations\/<\/a><\/p>\n
\nAt\u00a0the\u00a0Saint Anne Chapel, in Tours\u00a0the 2-4 December 2016.<\/p>\n\n
\nOpening hours : 14H-20H on December 2nd and 11H-20H on\u00a0December 3 & 4.<\/li>\nEXPOSITIONS & HAPPENINGS \/ 2, 3 & 4 of December : <\/u><\/strong><\/h2>\n
\n
A Fleur de Peau (2003)<\/h2>\n
Audio-tactile installation by Lynn Pook<\/h5>\n
![\"A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/A_FLEUR_de_PEAU_AFdP_Gallery-Bina-Ellen_photo-Eric-Matson_edit_web.jpg?resize=599%2C301\")
<\/a>Angel Detector (1992)
\n<\/b><\/h2>\n![\"detecteur-photo-anzai%cc%88_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/De%CC%81tecteur-photo-Anzai%CC%88_edit_web-1024x609.jpg?resize=565%2C336\")
<\/a><\/div>\n<\/div>\n<\/div>\n
The lamp inside the transparent dome only lights up when it is able to detect total silence in its vicinity.
The Angel Detector becomes a sort of lighthouse inviting a passing angel to rest for a moment.
A (silent) dialogue with the angel that has been thus attracted can begin.<\/p>\n<\/h2>\n
CONSTELLATION (1995)<\/strong><\/h2>\n
\n<\/strong><\/p>\n![\"La-constelation-B.1_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/La-constelation-B.1_edit_web.jpg?resize=594%2C284\")
<\/a><\/p>\n
First shown at the gallery le Triangle in Bordeaux in 1995, and again in 1997 at the IESA Paris, 1997, thanks to the participation of the students.<\/p>\nImprint of Our Encounter (1992)<\/h2>\n
\n<\/strong>
\n![\"empreinte-1-1992_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/empreinte-1-1992_edit_web-.jpg?resize=600%2C327\")
<\/a><\/p>\n<\/div>\n<\/div>\n
I pre-registered my own electrocardiograph and put the paper back in the machine. I then took the visitor\u2019s electrocardiograph, printing it over mine, the lines running in parallel and sometimes crossing each other. Part of these two meeting lines is a gift for the visitor, the other is put up on the wall, encounter after encounter.
The work\u2019s title could also be \u201dAffairs of the Heart\u201d.<\/p>\nSOMA SENSIBILIS (2016)
\n<\/strong><\/h2>\n
\n<\/strong><\/p>\n![\"Soma_sensibilis_photo_d-tsiapkinis_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/SOMA_SENSIBILIS_Photo_D.Tsiapkinis_edit_web.jpeg?resize=601%2C338\")
<\/a>
<\/strong><\/figcaption><\/figure>\n
\nL\u2019HOMME MASQUE (2016)<\/strong><\/h2>\n![\"Donald_Single_Whip_Silloutte\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/L%E2%80%99HOMME-MASQUE_CC-BY-SA-3.0_edit-1024x484.jpg?resize=601%2C284\")
<\/a><\/p>\n<\/div>\nSILENCE IS NOT THE ABSENCE OF SOUND<\/span><\/strong><\/h2>\n
\nTEA TIME (2016)<\/strong><\/h2>\n![\"TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot\u00e9-Estrada_CC-BY-SA\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/TEMPS_DE_THE_Chinese-tea-ceremony_David-Bot%C3%A9-Estrada_CC-BY-SA-2.0-1024x631.jpg?resize=599%2C369\")
<\/a>
\n<\/span><\/span><\/p>\n
\nPERFORMANCES \/ December 2 & 3 at 20H : <\/span><\/u><\/strong><\/h2>\nSILENCE OF THE GOATS (2016)<\/strong><\/h2>\n
![\"Atelier_Omnivion_Arpents_dart_31c_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/2016-03-12_Atelier_Omnivion_Arpents_dart_31c_edit_web.jpg?resize=601%2C339\")
<\/a>SIRENES (2016)<\/strong><\/h2>\n
![\"sirenes__photo_by_bernard_duret_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/SIRENES__Photo_by_Bernard_Duret_edit_web.jpg?resize=600%2C286\")
<\/a>
\n<\/strong>
\n<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< <\/strong><\/p>\nFlowering throats (2016)<\/strong><\/h2>\n
\n<\/strong><\/p>\n![\"Atelier_danse_Omnivion_Photo_by_D.Tsiapkinis\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/P1090025b2-1024x609.jpg?resize=600%2C357\")
<\/a>
\nUntitled (2016)<\/strong><\/h2>\n
\n<\/strong><\/p>\n![\"Soizic_Lebrat_photo_by_David_Brown_245_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/Soizic_Lebrat_Photo_by_David_Brown_245_edit_web-1024x561.jpg?resize=601%2C329\")
<\/a>DISCUSSION \/ DECEMBRE 4th at 14H : <\/span><\/u><\/strong><\/h2>\n
\nLooking at dance\u00a0 (2016)<\/strong><\/h2>\n![\"le_regard_et_la_danse_livre_de_durer_edit_web\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2016\/10\/DISCUSSION_LE_Regard_et_la_Danse_livre_de_D%C3%BCrer_edit_web.jpg?resize=602%2C291\")
<\/a>
\n<\/strong>A conversation between dancer-choreographer Dimitri Tsiapkinis and psychoanalyst Ariane Oger, moderated by psychologist Isabelle Buillit.<\/p>\n
![\"logos_all\"](\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/10\/Logos_all-1024x442.jpg?resize=601%2C259\")
<\/a><\/p>","protected":false},"excerpt":{"rendered":"