{"id":1219,"date":"2015-02-25T01:07:49","date_gmt":"2015-02-25T00:07:49","guid":{"rendered":"http:\/\/www.omnivion.net\/core\/?page_id=1219"},"modified":"2015-12-30T15:13:17","modified_gmt":"2015-12-30T14:13:17","slug":"la-mecanique-des-beaits","status":"publish","type":"page","link":"https:\/\/omnivion.net\/core\/en\/projets\/projets-artistiques\/la-mecanique-des-beaits\/","title":{"rendered":"The Mechanics of the B(ea\/i)ts"},"content":{"rendered":"<p><figure id=\"attachment_1220\" aria-describedby=\"caption-attachment-1220\" style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/www.omnivion.net\/core\/wp-content\/uploads\/2015\/02\/10834912_10205717178149584_1479141612143057225_o.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1220\" data-permalink=\"https:\/\/omnivion.net\/core\/en\/projets\/projets-artistiques\/la-mecanique-des-beaits\/10834912_10205717178149584_1479141612143057225_o\/\" data-orig-file=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/02\/10834912_10205717178149584_1479141612143057225_o.jpg?fit=800%2C319&amp;ssl=1\" data-orig-size=\"800,319\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;DURET BERNARD&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"10834912_10205717178149584_1479141612143057225_o\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Photo by \u00a9 B.Duret \/ Design by \u00a9 PH Ramboz&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/02\/10834912_10205717178149584_1479141612143057225_o.jpg?fit=800%2C319&amp;ssl=1\" class=\"size-full wp-image-1220\" src=\"https:\/\/i0.wp.com\/www.omnivion.net\/core\/wp-content\/uploads\/2015\/02\/10834912_10205717178149584_1479141612143057225_o.jpg?resize=800%2C319\" alt=\"Photo by \u00a9 B.Duret \/ Design by \u00a9 PH Ramboz\" width=\"800\" height=\"319\" srcset=\"https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/02\/10834912_10205717178149584_1479141612143057225_o.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/omnivion.net\/core\/wp-content\/uploads\/2015\/02\/10834912_10205717178149584_1479141612143057225_o.jpg?resize=300%2C120&amp;ssl=1 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-1220\" class=\"wp-caption-text\">Photo by \u00a9 B.Duret \/ Design by \u00a9 PH Ramboz<\/figcaption><\/figure><\/p>\n<hr id=\"yui_3_16_0_1_1424793087238_77472\" \/>\n<div id=\"gt-res-content\" class=\"almost_half_cell\">\n<div dir=\"ltr\"><\/div>\n<div dir=\"ltr\"><span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Performance : Le dialogue entre deux individus et un programme informatique.\">Performance: The dialogue between two individuals and a computer program. <\/span><span title=\"La dialectique des mouvements du musicien et du danseur sur une partition g\u00e9n\u00e9r\u00e9e par ordinateur. \">The dialectical movement of the musician and the dancer on a computer generated partition. <\/span><span title=\"La M\u00e9canique des B(ea\/i)ts est un ensemble improvis\u00e9 de danse, musique et code informatique.\">The Mechanics of B(ea\/i)ts is an improvised set of dance, music and computer code. <\/span><span title=\"Le programme g\u00e9n\u00e8re une trame reproduisant les ambiances acoustiques ch\u00e8res aux deux interpr\u00e8tes.\">The program generates a frame reproducing the acoustic environments that are esthetically intriguing to the two performers. <\/span><span title=\"Le musicien, intervient en direct sur le paysage sonore.\">The musician, interacts in real time on the soundscapes. <\/span><span title=\"Il produit une musique que le danseur interpr\u00e8te \u00e0 son tour.\">He produces a music that dancer performer interprets freely. The b<\/span><span title=\"L\u2019\u00e9quilibre est t\u00e9nu.\">alance is tenuous. At the limits of t<\/span><span title=\"En limite de transe, les interpr\u00e8tes sont \u00e0 l'\u00e9coute du programme dont l'ex\u00e9cution est al\u00e9atoire et parfois brutale.\">rance, the performers are carefully listening to the program whose execution is random and sometimes brutal. <\/span><span title=\"Le trio est un feedback expressif du programme, vers le musicien et le danseur, en fin.\">The trio is an expressive feedback of the program, towards the musician and towards the dancer in the end. <\/span><span title=\"Le danseur, face au son construit sa danse comme le musicien construit la sienne.\">The dancer, in relation to the sound composes his dancing and so does the musician. <\/span><span title=\"En r\u00e9sulte trois solii qui se m\u00e9langent, s'opposent ou s'ignorent tour \u00e0 tour.\">The result is three solii that mix, oppose or ignore each other in turn. <\/span><span title=\"Un \u00e9loge de la folie, dialogue impossible entre trois modes d'expression et de pens\u00e9e apparemment incoh\u00e9rents mais qui, en simultan\u00e9, font sens.\">A praise of folly, an impossible dialogue between three modes of expression and thought apparently inconsistent but, simultaneously, coherent.<\/span><\/span><\/div>\n<\/div>\n<p>Music : [PH]<\/p>\n<p>Dance : Dimitri Tsiapkinis<\/p>\n<p>Duration : 45 min<\/p>\n<hr \/>\n<p id=\"yui_3_16_0_1_1424793087238_68107\"><a id=\"yui_3_16_0_1_1424793087238_68109\" href=\"https:\/\/soundcloud.com\/didouph\/mouvement-5-la-mecanique-des-betits\" target=\"_blank\" rel=\"nofollow\">Excerpt, Movement 5<\/a><\/p>\n<p><a id=\"yui_3_16_0_1_1424793087238_68108\" href=\"https:\/\/www.facebook.com\/events\/1549923651943485\" target=\"_blank\" rel=\"nofollow\">Facebook Event<\/a> ( March 7th, 2015 in Tours)<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/OnMarcheMarrakech\" target=\"_blank\">Facebook page of the Festival On Marche<\/a> ( March 14th, 2015, in Marrakech)<\/p>","protected":false},"excerpt":{"rendered":"<p>Performance: The dialogue between two individuals and a computer program. The dialectical movement of the musician and the dancer on a computer generated partition. The Mechanics of B(ea\/i)ts is an improvised set of dance, music and computer code. The program generates a frame reproducing the acoustic environments that are esthetically intriguing to the two performers. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":60,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1219","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Mechanics of the B(ea\/i)ts - omnivion.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/omnivion.net\/core\/projets\/projets-artistiques\/la-mecanique-des-beaits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Mechanics of the B(ea\/i)ts - omnivion.net\" \/>\n<meta property=\"og:description\" content=\"Performance: The dialogue between two individuals and a computer program. 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